| ALEX BUNN CV (annotated.)  | 
| SELECTED SOLO EXHIBITIONS (*C) Exhibition catalogue published | 
|      2024 | UPCOMING. Barleycorn, with KB Contemporary. Oslo Negativ Photo Festival, Oslo, Norway |   | 
|   | UPCOMING. KB Contemporary, Oslo, Norway |   | 
|   | Alex Bunn. Oslo Hot Megazone, in conjunction with Oslo Open, Oslo, Norway |   | 
|      2022 | Closed Timelike Curve, K4 Oslo, Norway |   | 
|      2021 | Bean Curve. KB Contemporary, Oslo, Norway |   | 
|      2018 | Nervous Wrecks, Noplace, Oslo, Norway |   | 
|      2017 | Alex Bunn, Penthouse Art Residency, Hotel Bloom, Brussels, Belgium |   | 
|      2016 | Alex Bunn, Superstates, Trafo Kunsthall, Oslo, Norway |   | 
|      2015 | Superposition, Spring / Ephemeral Projects, California, US |   | 
|      2014 | Alex Bunn – Limbo Stack, Unit 24, curated by Christina Mitrenste, London, UK | 
|      2010 | Alex Bunn – Folk Form Taxa, Aubin Gallery, curated by Stuart Semple, London, UK | 
|      2009 | The Alex Bunn Nerve Exchange, Another Roadside Attraction Gallery, London, UK | 
| SELECTED GROUP EXHIBITIONS (*C) Exhibition catalogue published | 
|      2024 | UPCOMING. Oslo Hot Megazone, Oslo, Norway |   | 
|      2023 | Memeplex™, KARST, Plymouth. UK with Penny Goring, Sarah Lucas, Doreen Garner,, Marguerite Humeau, Sun Woo, Paul Laffoley, Catherine Opie, Viktor Timofeev, Ville Callio and Ed Fornieles. Curated by Omsk Social Club and Joey Holder |   | 
|      2022  | Charlottenborg Spring Exhibition, Kunsthal Charlottenborg, Copenhagen, Denmark.Selected by Hesselholdt & Mejlvang, David Risley, Peter Bertram, Grethe Wittrock and Sophie Suaning. |   | 
| Oslo Negativ Photo Festival, Oslo, Norway |   | 
|      2021 | Spring/Break NYC. US |   | 
| Oslo Negativ Photo Festival, Oslo, NorwayGruppebilder. KB Contemporary, Oslo, Norway |   | 
|      2018 | Nacré Fraternité, Flat Two, Digbyland Studios, London UK.(with Eva Rothschild, Jo Nigoghossian, Salvatore Arancio, Adham Faramawy, & Richard Evans) |   | 
|      2017 | Loop, Lubrimov Angus-Hughes , London, UK | 
| Charlottenborg Spring Exhibition*C, Kunsthal Charlottenborg, Copenhagen, Denmark.Selected by Alex Da Corte, Torben Ribe, Stig L. Andersson, Hanna Nilsson & Line Clausen | 
| The Sputtering Human Shaped Machine, Good Work Gallery, NYC, US | 
|      2016     | Cerebellum, Hive Dalston, London, UK | 
| Cerebellum , Electro Studios, Hastings, UK |   | 
| BETA, Espacio Gallery, London, UK |   | 
| (Unnamed Project) BKN Gallery, London, UK |   | 
| Postcards from the Edge, Sikkema Jenkins, New York, US |   | 
|      2015      | A Transient Space, Geddes Gallery, London, UK |   | 
| The London Group Open, Cello Factory, London, UK | 
| Snap to Grid, Los Angeles Centre for Digital Art, Los Angeles, US | 
| Postcards from the Edge, Luhring Augustine, New York, US | 
| Electron Salon, Los Angeles Centre for Digital Art, Los Angeles, US | 
| Chemcraft, Espacio Gallery, London UK | 
| Relational Extravaganza & Arbitrary Dreams, Lacey Contemporary, London, UK | 
|      2014 | The Scottish Royal Academy Open Exhibition, The Scottish Royal Academy, Edinburgh, UK | 
| The Tomorrow People, Elevator Gallery, London, UK | 
| E17 Art Trail, Blackhorse Studios, London, UK | 
|      2013 | The Haunted, Red Gallery, curated by Brad Feuerhelm, London, UK | 
|       2011 | Photomedia Open Salon Show 2011, Charlie Dutton gallery, London, UK | 
| Linear B, Stephen Lawrence gallery, curated by Jonas Ranson and Christina Mitrenste, London, UK | 
|       2010 | John Lawrence Sullivan, Tokyo, Japan | 
| Zeros & Ones, Art in a Digital Age, Climate Gallery, New York, US | 
|       2009 | Celestial Contrakt,  Schwartz Gallery, London, UK | 
|       2008 | Crossing Over: Exchanges in Art & Biotechnologies, Royal Institution of Great Britain, London, UK (*c) | 
| Liberte D’expression, Candid Arts Trust, London, UK | 
|   | Liberte D’expression, Barclays Global Headquarters, London, UK | 
|      2007 | Chaim Soutine, Another Roadside Attraction Gallery, London, UK (with Gavin Turk, Wim Delvoye, Mark Titchner, Julie Verhoeven and David Shrigley) | 
|   | The Chaim Soutine Tattoo Project, Another Roadside Attraction Gallery, Frieze Art Fair, London, UK | 
|   | Village Fete, Victoria and Albert Museum, London, UK | 
| SECLECTED PUBLICATIONS | 
|     2022 | Floorr Magazine. Interview October 2022. | 
| Kunstkritikk. Stian Gabrielsen. October 2022 | 
|     2021 | Klasskampen, Perspektiv. 25th May 2021. | 
| Dreams From Hell. Book | 
|     2020 | Kunstårbok 2020 – Alex Bunn | 
|     2018 | Klasskampen Det er slimspor mellom fugene. Line Ulekleiv. 10th January 2018 | 
| Kunstkritikk Fabeldyr på badet.  Stian Gabrielsen. January 2018 | 
| Haxan Journal. Issue 3. The Modern Abomination. | 
|     2017 | Charlottenborg Spring Exhibition catalogue | 
| Vanilla Issue.1 | 
|     2016     | Klasskampen. Weirdsville Akershus. Tommy Olsson. 09th November 2016 | 
| Aftenposten. Alex Bunn Vekker Barnet i Oss. Kjetil Roed 05th November 2016 | 
| Posit. Journal Issue 10. Alex Bunn ISSN 2333 6285 | 
| Der Greif Guest-Room by The Photocaptionist | 
|     2015 | Relational Extravaganza Arbitrary Dreams. Wall Street International | 
|     2014 | Alex Bunn, Bruder & Schwester,  | 
| Alex Bunn: Limbo Stack, London Evening Standard. July 2014 | 
| Alex Bunn: Limbo Stack. Interartive Journal. July 2014 ISSN: 2013-679X | 
|      2011 | 30 Super Hot Artists for 2012, Artbookguy, Dec. 2011 | 
|      2010 | Alex Bunn: Folk Form Taxa, Time-Out London, Top Five Aug.2010 | 
| Alex Bunn: Folk Form Taxa Aesthetica Magazine, Aug 2010 | 
| Alex Bunn FAD Magazine, Aug 2010 | 
| Alex Bunn Goodness Greatness, Aug 2010 | 
|      2009 | Celestial Contrakt The Times Top 5 Exhibitions. Oct 04, Campbell-Johnston, Rachel | 
| Alex Bunn, Supermassiveblackhole,  ISSN-2009-2288 – ISSUE 2- 2009 | 
| Albano, Dr Caterina, Crossing Over: Exchanges in Art & Biotechnologies, ISBN: 978-0-9542416-1-2 | 
| Wallace, Marina, Crossing Over & Delineating Disease British Medical Journal,  Dec 2008 (Vol 34 No 2) | 
| First Thursdays Top Five, Time-Out October 2009 | 
| Nature Magazine, October 2008 | 
| S. Moreno, Material Beliefs Marries Design & Biotechnology | 
| Holloway, Ruthie The Boy Bunn Good Where’s Jack? Issue 28 | 
| I.D. Magazine, Oct 2008 | 
| SELECTED AWARDS & COMMISSIONS | 
|      2021 | Billedkunstnernes Vederlagsfond 2 årig stipend / BKV two-year scholarship. | 
|      2023 | Office of Contemporary Art / MFA Travel Support – Feels Like Memeplex, KARST, Plymouth. UKNorsk Kultur Fond Prosjektstøtte visuell kunst. – Skin TagNorsk Kultur Fond Prosjektstøtte visuell kunst. – Barleycorn Index | 
|      2022 | Norsk Kultur Fond Prosjektstøtte visuell kunst. – Closed Timelike Curve | 
|      2021 | Norsk Kultur Fond Prosjektstøtte visuell kunst. – Bean Curve | 
|      2015 | Contemporary Visions – shortlist | 
|      2014 | Format Exposure – shortlist | 
|      2011-14 | Hasselblad sponsorship. | 
|      2009 | Quabrid, Artakt Commission. | 
|  SELECTED EDUCATION & TALKS | 
|        2022  | Created educational materials for Hovseter skole.  | 
| 30 minutes with the artist. Oslo Negativ Photography Fair. Deichmanske Bibliotek. Oslo, Norway | 
|         2018 | Talk to KHIO students at NoPLace | 
|        2015 | First Thursdays: Folk Form Taxa. Whitechapel Gallery. London, UK | 
|        2010 | Chemcraft:  The Art of Chemistry and The Chemistry of Explosions for Ideas matter sphere,Espacio Gallery, London, UK | 
|        CURATION | Loop, Lubrimov Angus-Hughes , London, UK. 2017 | 
|        OTHER | Sex Swing. Gatefold album artwork 2018.Sex Swing.  Type II. Album artwork 2020 | 
|        TECHNICAL | Various Art Technician jobs at UKS and BO – Billedkunstnerne i Oslo |